This masterpiece from 1919 is an impressive example of how Evard, starting from still life and influenced by Cubism, would develop into a constructively working artist. The work depicts elements of a still life: In the foreground, we find the titular bread, which, through its natural coloring and spatial representation, contrasts with the other elements of the still life. Glasses, a bottle, and a folded napkin can also be discerned; however, the artist dissolves these objects into geometric forms and renders them flatly. The impression of spatial depth thus emerges only sporadically and incoherently: the background is formed by a multitude of disparate-looking formal or architectural elements \u2013 are steps or an archway discernible? These elements no longer coalesce into a coherent perspective; instead, the inherent dynamism of the forms increasingly comes to the fore.
Still Life with Bread, 1919, Oil on cardboard, 35 x 35 cm<\/p>\n","protected":false},"author":1,"featured_media":1429,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":1,"footnotes":""},"categories":[29],"tags":[],"class_list":["post-1427","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concrete-constructive"],"yoast_head":"\n