{"id":1680,"date":"2025-09-13T15:21:00","date_gmt":"2025-09-13T13:21:00","guid":{"rendered":"https:\/\/andre-evard.de\/nicht-kategorisiert\/construction-1923\/"},"modified":"2025-10-12T20:51:13","modified_gmt":"2025-10-12T18:51:13","slug":"construction-1923","status":"publish","type":"post","link":"http:\/\/andre-evard.de\/en\/concrete-constructive\/construction-1923\/","title":{"rendered":"Construction, 1923"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Bildbesprechung: Andr\u00e9 Evard, Konstruktion, 1932\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/kH4EZVIRI1o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<p>At the <strong>beginning of the 20th century<\/strong>, a major <strong>shift<\/strong> in art began. Painting and sculpture increasingly moved away from figural to more abstract forms of representation. Art sought new pictorial formulas, and the artists of that era found diverse answers.<br\/>Andr\u00e9 Evard was particularly fascinated by <strong>well-conceived and strictly geometric pictorial compositions<\/strong>.<br\/>Signs of this can already be recognized in earlier works, which led to a complete <strong>detachment from the figural subject<\/strong>.  <\/p>\n\n<p>This <strong>concrete-constructive<\/strong> work by Evard particularly captivates with its <strong>rhythmic arrangement<\/strong> of construction lines.<br\/>With the intersecting diagonals, the pictorial space is divided like a mosaic, creating a thematically detached, yet internally coherent <strong>spatial structure of shapes and colors<\/strong>.<br\/>Through the hatching lines of v<strong>ertical and diagonal strokes<\/strong>, a <strong>geometric canon of forms<\/strong> of variably positioned triangles is generated. This is expanded by the partial colored infill of several triangles to include new geometric form schemas.<br\/>A comparison with the works of <strong>Theo Van Doesburg<\/strong> (1883 \u2013 1931) is obvious, as there was also a very personal relationship between the two artists, which is evident in documented correspondence. <\/p>\n\n<p>Throughout his life, Van Doesburg tried in vain to persuade the Swiss artist to collaborate in the <strong>De Stijl movement<\/strong>, which he co-founded. However, he <strong>vehemently refused<\/strong>.<br\/>He <strong>never wanted to commit himself<\/strong> or be restricted in his art. For Evard was an artist body and soul. Therefore, throughout his life, he pursued <strong>his own artistic goals<\/strong> and, at times, patiently swam against the current.   <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Construction,<br \/>\n1932,<br \/>\nOil on hardboard,<br \/>\n34 x 26.5 cm<\/p>\n","protected":false},"author":1,"featured_media":1683,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":0,"footnotes":""},"categories":[29],"tags":[],"class_list":["post-1680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concrete-constructive"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Construction, 1923 - Andr\u00e9 Evard<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/andre-evard.de\/en\/concrete-constructive\/construction-1923\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Construction, 1923 - 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