{"id":2026,"date":"2025-05-07T18:05:00","date_gmt":"2025-05-07T16:05:00","guid":{"rendered":"https:\/\/andre-evard.de\/non-categorise\/printemps-sur-les-collines-1921\/"},"modified":"2025-10-12T20:57:19","modified_gmt":"2025-10-12T18:57:19","slug":"printemps-sur-les-collines-1921","status":"publish","type":"post","link":"http:\/\/andre-evard.de\/fr\/paysage\/printemps-sur-les-collines-1921\/","title":{"rendered":"Printemps sur les collines, 1921"},"content":{"rendered":"\n

Cette peinture \u00e0 l’huile parvient, avec peu de formes, \u00e0 \u00e9voquer l’impression d’un paysage. L’aspect exceptionnel de ce tableau r\u00e9side dans le fait que le ciel occupe plus des deux tiers de l’ensemble de l’image. \u00c0 l’instar du Moine au bord de la mer de Caspar David Friedrich, le tableau d\u00e9gage une certaine solitude. Contrairement au Moine au bord de la mer de Friedrich, cela ne semble toutefois pas oppressant, car le vert luxuriant et ensoleill\u00e9 donne une impression joyeuse. Le regard du spectateur se perd au loin, et donc sur les innombrables possibilit\u00e9s que l’avenir r\u00e9serve encore. <\/p>\n","protected":false},"excerpt":{"rendered":"

Printemps sur les collines,
\n1921,
\nhuile sur panneau de fibres,
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