In the work “Silver-grey Construct,” the artist explores the same motif as in Composition in Blue from 1962. These works are now entirely devoted to the interplay of forms and no longer contain elements of figurative representation. Evard devises a construct of rectangles and triangles, circular segments, and truncated shapes; construction lines traverse the composition, executed in shades of grey. A centrally placed rhomboid shape further subdivides the subtly composed work. Through the use of various shades of grey, an illusion of spatial depth is sporadically created, which, however, is immediately disrupted. From this, as well as from the interplay of horizontal, vertical, and diagonal lines, a work of great dynamism emerges.