André Evard’s Composition in Red (1962) is an impressive example of his geometric-abstract visual language. At its center is a green rhombus, which clearly stands out against the intensely red background with white lines. Within this central form, a dynamic structure unfolds, composed of black-red and green-black segments arranged in triangles, circles, and sharp-edged lines. Particularly striking is the circular spiral in the lower section, which lends depth and movement to the image. The strictly symmetrical arrangement and the precise demarcation of the color fields point to the influence of Constructivism. The strong color contrast between red, green, and black creates a tension-filled effect and draws the eye to the center of the composition. Despite its formal rigor, the work remains vibrant and showcases Evard’s characteristic combination of mathematical order and expressive color design.