This landscape painting features an unusual color composition. On one side, the sky turns pink, as if from the setting sun. On the other side, the sun is high in the sky and directs the viewer’s gaze through the use of the white color from the meadow over the tops of the clouds upwards, so that a Christian symbolism could be suggested here. Evard’s faith and extraordinary Christian commitment would support this thesis. The two trees – one in the foreground and one in the background – ensure a harmonious balance of the composition.