This oil painting from 1949 depicts white-pink crocuses in a dark vase. Evard uses strong, red and blue contour lines for the blossoms. The three-dimensionally rendered vase stands centrally in front of a spatial recess, which appears to be a window. The opening is in blue, and the brushstroke is clearly visible here. Evard designs the lower area of the picture entirely in black, two white lines, composite sections of circular outlines, light up in the prevailing darkness and add a geometric component to the still life. In this picture, voluminous and flatly designed areas of the picture meet, and the dark colors create a mysterious, mystical impression. In his significant self-portrait from 1913, Evard depicted himself in front of crocuses. Here, he takes up the representation of this flower again, to which he seems to have a close connection.