The painting White Rose by André Evard from 1917 depicts an expressive still life with a centrally arranged, lushly blooming white rose, flanked by several closed or half-open buds. The flowers are loosely nestled on a background in shades of brown, which stands out from the dark background with dynamic brushstrokes.
The rose petals are rendered in strong green and, with their clear contours and structured surfaces, form a delightful contrast to the soft, impasto modeling of the blossoms. The interplay of light and shadow, as well as the differentiated coloring, make the rose appear plastic and almost sculptural. A small, red element – presumably a rosebud – is deliberately integrated into the composition as a striking accent to draw the viewer’s attention.