Composition in blue 1962 Oil on hardboard 50 x 65 cm

André Evard’s painting in different shades of blue is divided several times. There is an exciting difference between the right and left side of the picture. While the forms and elements on the left still refer to reality-related architectural buildings, this reference is no longer present on the right. Instead, this area represents merely a geometrically patterned surface, no longer allowing any point of reference.