The 1917 work ‘Tree on Yellow Meadow’ is predominantly symmetrically structured and conveys a harmonious impression: Below, the brightly yellow meadows; above, the blue sky; and in the center – almost as a convergence of yellow and blue – a row of green trees, from which Evard prominently places a single one in the middle of the composition. His work repeatedly revolves around the motif of the tree, which can be understood as a symbol of life and eternal return. In it, the full life force that sustains this cycle is revealed. Above this tree in the center of the image hovers a strikingly centrally placed oversized cloud, which seems to allude to a divine thought. Thus, this landscape depiction testifies to Evard’s religious-philosophical understanding of the world.